Augustus Egg

Augustus Leopold Egg RA (2 May 1816, in London – 26 March 1863, in Algiers) was a British Victorian artist, and member of The Clique best known for his modern triptych '' Past and Present'' (1858), which depicts the breakup of a middle-class Victorian family.

Biography

Egg was born to Joseph and Ann Egg, and baptised in St James's Church, Piccadilly, on 30 May 1816. He had an elder brother, George Hine Egg.

His father Joseph Egg was a wealthy gunsmith from the distinguished gun making family, who immigrated to London from Huningue, Alsace.Hilarie Faberman, 'Egg, Augustus Leopold (1816–1863)’, Oxford Dictionary of National Biography, Oxford University Press, Sept 2004 Egg was educated in the schools of the Royal Academy, beginning in 1836. Egg was a member of The Clique, a group of artists founded by Richard Dadd and others in the late 1830s (c. 1837). Egg sought to combine popularity with moral and social activism, in line with the literary work of his friend Charles Dickens. With Dickens he set up the "Guild of Literature and Art", a philanthropic organisation intended to provide welfare payments to struggling artists and writers. He acted the lead role in " Not So Bad As We Seem," a play written by Edward Bulwer-Lytton to raise funds for the organisation. His self-portrait in the role is in Hospitalfield House in Arbroath.

Egg's early paintings were generally illustrations of literary subjects. Like other members of The Clique, he saw himself as a follower of Hogarth. His interest in Hogarthian moral themes is evidenced in his paired paintings ''The Life and Death of Buckingham'', depicting the dissolute life and sordid death of the Restoration rake George Villiers, 2nd Duke of Buckingham. Yet his paintings often took a humorous look at their subjects, as in his '' Queen Elizabeth Discovers she is no longer Young'' (1848).

Style

Unlike most other members of The Clique, Egg also admired the Pre-Raphaelites; he bought work from the young William Holman Hunt and shared ideas on colour theory with him. His own triptych, known as ''Past and Present'', was influenced by Hunt's work. The triptych depicted three separate scenes, one portraying a prosperous middle-class family and the other two depicting poor and isolated figures – two young girls in a bedsit and a homeless woman with a baby. The viewer was expected to read a series of visual clues that linked together these three scenes, to reveal that the prosperous family in the central scene is in the process of disintegrating because of the mother's adultery. The two outer scenes depict the separated mother and children a few years later, now living in poverty. The painting's use of flashback – the central scene is occurring in the past – has been seen as a precursor of cinema.

Egg was also an active organiser of exhibitions, being admired by fellow-artists for his dedication and fair mindedness. He was one of the organisers of the Manchester Art Treasures Exhibition, Egg features in their surviving correspondence. He participated, as actor and costume designer, in their amateur theatricals, which were often conducted for charitable purposes as noted above. In January 1857 he took a part in Collins's play ''The Frozen Deep'', which starred Dickens and was performed at his home, Tavistock House (Egg played John Want, the ship's cook.) The production was also acted before Queen Victoria and then performed for charity. Dickens described Egg as a "dear gentle little fellow," "always sweet-tempered, humorous, conscientious, thoroughly good, and thoroughly beloved."

In a 1953 radio interview, novelist Evelyn Waugh was asked "What painters do you admire most?". He answered "Augustus Egg I’d put among the highest."Excerpts from the text of the broadcast, on 16 November 1953, are given in the 1998 Penguin Books edition of ''The Ordeal of Gilbert Pinfold'', pp. 135–43.

Gallery

Past and Present

File:Past and Present Number One.jpg, No. 1 – Misfortune, 1858
File:Past and Present Number Two.jpg, No. 2 – Prayer, 1858
File:Past and Present Number Three.jpg, No. 3 – Despair, 1858

Select Paintings

File:Augustus Leopold Egg - The Life of Buckingham - Google Art Project.jpg, The Life and Death of Buckingham: The Life of Buckingham, c. 1855
File:Augustus Leopold Egg - The Death of Buckingham - Google Art Project.jpg, The Life and Death of Buckingham: The Death of Buckingham, c. 1855
File:Self Portrait as a Distressed Poet Augustus Leopold Egg (1816–1863) Hospitalfield.jpg, Self Portrait as a Distressed Poet
File:Unknown woman, formerly known as Florence Nightingale by Augustus Leopold Egg.jpg, Unknown woman, formerly known as Florence Nightingale
File:Augustus Leopold Egg (1816-1863) - Beatrix Knighting Esmond - N01385 - National Gallery.jpg, Beatrix Knighting Esmond, 1857
File:Augustus Leopold Egg The love letter.jpg, The love letter, by 1863
File:Queen Elizabeth discovers she is no longer young.jpg, Queen Elizabeth discovers she is no longer young, 1848
File:Augustus Leopold Egg - Madame de Maintenon and Scarron - y1982-19 - Princeton University Art Museum.jpg, Madame de Maintenon and Scarron

Notes

References

* Collins, Wilkie. ''Letters of Wilkie Collins.'' Edited by William Baker and William Malpas Clarke; London: Palgrave Macmillan, 1999.
* Cowling, Mary. ''Victorian Figurative Painting.'' London, Andreas Papadakis Publisher, 2001.
* Ley, J. W. T. ''The Dickens Circle: A Narrative of the Novelist's Friendships.'' New York: E. P. Dutton, 1919.
* Valentine, Helen, ed. ''Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection.'' New Haven and London: Yale University Press / Royal Academy of Arts, London, 1999.

External links

*
Phryne's list of pictures in accessible collections in the UK

{{DEFAULTSORT:Egg, Augustus
19th-century English painters
English male painters
Royal Academicians
1816 births
1863 deaths
Painters from London
19th-century English male artists